{"id":13678,"date":"2016-05-09T15:45:11","date_gmt":"2016-05-09T12:45:11","guid":{"rendered":"http:\/\/thediplomat.gr\/?post_type=tribe_events&p=13678"},"modified":"2016-05-09T15:45:11","modified_gmt":"2016-05-09T12:45:11","slug":"%ce%b1%cf%86%ce%b9%ce%ad%cf%81%cf%89%ce%bc%ce%b1-%cf%83%cf%84%ce%bf%ce%bd-%ce%bc%ce%b9%ce%b3%ce%ba%ce%ad%ce%bb-%ce%bd%cf%84%ce%b5-%ce%b8%ce%b5%cf%81%ce%b2%ce%ac%ce%bd%cf%84%ce%b5%cf%82-homenaje-mi","status":"publish","type":"tribe_events","link":"https:\/\/thediplomat.gr\/el\/event\/%ce%b1%cf%86%ce%b9%ce%ad%cf%81%cf%89%ce%bc%ce%b1-%cf%83%cf%84%ce%bf%ce%bd-%ce%bc%ce%b9%ce%b3%ce%ba%ce%ad%ce%bb-%ce%bd%cf%84%ce%b5-%ce%b8%ce%b5%cf%81%ce%b2%ce%ac%ce%bd%cf%84%ce%b5%cf%82-homenaje-mi\/","title":{"rendered":"\u0391\u03c6\u03b9\u03ad\u03c1\u03c9\u03bc\u03b1 \u03c3\u03c4\u03bf\u03bd \u039c\u03b9\u03b3\u03ba\u03ad\u03bb \u03bd\u03c4\u03b5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2 | Homenaje a Miguel de Cervantes"},"content":{"rendered":"

<\/p>\n

\u03a4\u03bf \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b7 \u03a0\u03c1\u03b5\u03c3\u03b2\u03b5\u03af\u03b1 \u03c4\u03b7\u03c2 \u0399\u03c3\u03c0\u03b1\u03bd\u03af\u03b1\u03c2 \u03b1\u03c0\u03bf\u03c4\u03af\u03bf\u03c5\u03bd \u03c6\u03cc\u03c1\u03bf \u03c4\u03b9\u03bc\u03ae\u03c2 \u03c3\u03c4\u03bf\u03bd \u03c0\u03b1\u03c4\u03ad\u03c1\u03b1 \u03c4\u03bf\u03c5 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2, \u039c\u03b9\u03b3\u03ba\u03ad\u03bb \u03bd\u03c4\u03b5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2, \u03b5\u03bf\u03c1\u03c4\u03ac\u03b6\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03b1 400 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u03b8\u03ac\u03bd\u03b1\u03c4\u03cc \u03c4\u03bf\u03c5.<\/p>\n

\n\u0391\u03c5\u03c4\u03ae \u03b7 \u03b5\u03ba\u03b4\u03ae\u03bb\u03c9\u03c3\u03b7 \u03c3\u03c5\u03bd\u03b4\u03c5\u03ac\u03b6\u03b5\u03b9 \u03c4\u03b7\u03bd \u03b4\u03b9\u03ac\u03bb\u03b5\u03be\u03b7 \u03c4\u03bf\u03c5 \u03c6\u03b9\u03bb\u03bf\u03bb\u03cc\u03b3\u03bf\u03c5 \u03a0\u03ad\u03b4\u03c1\u03bf \u039f\u03bb\u03ac\u03b3\u03b9\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03bc\u03b5\u03b3\u03ac\u03bb\u03bf \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1, \u03bc\u03b5 \u03c4\u03b7 \u03c3\u03c5\u03bd\u03b1\u03c5\u03bb\u03af\u03b1 \u03c4\u03b7\u03c2 \u03c4\u03c3\u03b5\u03bc\u03c0\u03b1\u03bb\u03af\u03c3\u03c4\u03b1 \u0393\u03b9\u03bf\u03cd\u03bb\u03b7\u03c2 \u0392\u03b5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b1 \u03bc\u03b5 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u03b5\u03c0\u03bf\u03c7\u03ae\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u03b1\u03c0\u03b1\u03b3\u03b3\u03b5\u03bb\u03af\u03b1 \u03ba\u03b5\u03b9\u03bc\u03ad\u03bd\u03c9\u03bd \u03c4\u03bf\u03c5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2 \u03c0\u03bf\u03c5 \u03b1\u03bd\u03b1\u03c6\u03ad\u03c1\u03bf\u03bd\u03c4\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03c6\u03b9\u03bb\u03cc\u03bb\u03bf\u03b3\u03bf \u039c\u03b1\u03c1\u03af\u03b1 \u03a7\u03bf\u03c3\u03ad \u039c\u03b1\u03c1\u03c4\u03af\u03bd\u03b5\u03b8.<\/p>\n

\n\u03a4\u03c1\u03b1\u03b3\u03bf\u03c5\u03b4\u03bf\u03cd\u03bd \u03b7 \u03c3\u03bf\u03c0\u03c1\u03ac\u03bd\u03bf \u039c\u03b1\u03c1\u03b9\u03b1\u03bb\u03ad\u03bd\u03b1 \u03a4\u03c1\u03b9\u03ba\u03cc\u03b3\u03bb\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03b7 \u03bc\u03ad\u03c4\u03b6\u03bf \u03c3\u03bf\u03c0\u03c1\u03ac\u03bd\u03bf \u0395\u03b9\u03c1\u03ae\u03bd\u03b7 \u039a\u03b1\u03bd\u03ad\u03bb\u03bb\u03bf\u03c5. \u0397 \u03b6\u03c9\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 \u0395\u03bb\u03ad\u03bd\u03b7 \u03a0\u03b1\u03c5\u03bb\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5 \u03c6\u03b9\u03bb\u03bf\u03c4\u03ad\u03c7\u03bd\u03b7\u03c3\u03b5 \u03c4\u03bf\u03bd \u03c0\u03af\u03bd\u03b1\u03ba\u03b1 \u03c0\u03bf\u03c5 \u03b5\u03af\u03bd\u03b1\u03b9 \u03b1\u03c6\u03b9\u03b5\u03c1\u03c9\u03bc\u03ad\u03bd\u03bf\u03c2 \u03c3\u03c4\u03bf\u03bd \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b8\u03b1 \u03b5\u03ba\u03c4\u03af\u03b8\u03b5\u03c4\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u03c3\u03ba\u03b7\u03bd\u03ae.<\/p>\n

\u0392\u03c5\u03b6\u03b1\u03bd\u03c4\u03b9\u03bd\u03cc \u03ba\u03b1\u03b9 \u03a7\u03c1\u03b9\u03c3\u03c4\u03b9\u03b1\u03bd\u03b9\u03ba\u03cc \u039c\u03bf\u03c5\u03c3\u03b5\u03af\u03bf, \u0392\u03b1\u03c3\u03b9\u03bb\u03af\u03c3\u03c3\u03b7\u03c2 \u03a3\u03bf\u03c6\u03af\u03b1\u03c2 22.<\/p>\n

\u0395\u03af\u03c3\u03bf\u03b4\u03bf\u03c2 \u03b5\u03bb\u03b5\u03cd\u03b8\u03b5\u03c1\u03b7 \u03bc\u03ad\u03c7\u03c1\u03b9 \u03bd\u03b1 \u03c3\u03c5\u03bc\u03c0\u03bb\u03b7\u03c1\u03c9\u03b8\u03bf\u03cd\u03bd \u03bf\u03b9 \u03b8\u03ad\u03c3\u03b5\u03b9\u03c2.<\/span><\/p>\n

\n

PROGRAMA \/ \u03a0\u03a1\u039f\u0393\u03a1\u0391\u039c\u039c\u0391<\/strong><\/p>\n

1. Conferencia de Pedro Olalla: Cervantes y Grecia (en griego) \/ \u0394\u03b9\u03ac\u03bb\u03b5\u03be\u03b7 \u03c4\u03bf\u03c5 \u03a0\u03ad\u03b4\u03c1\u03bf \u039f\u03bb\u03ac\u03b3\u03b9\u03b1: \u039f \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2 \u03ba\u03b1\u03b9 \u03b7 \u0395\u03bb\u03bb\u03ac\u03b4\u03b1 (\u03c3\u03c4\u03b1 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac).
\n2. Antonio de Cabez\u00f3n (1510-1566): Duuiensela (clave: Yuli Ventura \/ \u03c4\u03c3\u03ad\u03bc\u03c0\u03b1\u03bb\u03bf: \u0393\u03b9\u03bf\u03cd\u03bb\u03b7 \u0392\u03b5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b1)
\n3. Miguel de Cervantes, Novelas ejemplares. Primera parte. Pr\u00f3logo para el lector (lectura: Mar\u00eda Jos\u00e9 Mart\u00ednez) \/ \u039c\u03b9\u03b3\u03ba\u03ad\u03bb \u03bd\u03c4\u03b5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2, \u03a5\u03c0\u03bf\u03b4\u03b5\u03b9\u03b3\u03bc\u03b1\u03c4\u03b9\u03ba\u03ad\u03c2 \u03bd\u03bf\u03c5\u03b2\u03ad\u03bb\u03b5\u03c2. \u039c\u03ad\u03c1\u03bf\u03c2 \u0391\u2019. \u03a0\u03c1\u03cc\u03bb\u03bf\u03b3\u03bf\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03b1\u03bd\u03b1\u03b3\u03bd\u03ce\u03c3\u03c4\u03b7 (\u03b1\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7: \u039c\u03b1\u03c1\u03af\u03b1 \u03a7\u03bf\u03c3\u03ad \u039c\u03b1\u03c1\u03c4\u03af\u03bd\u03b5\u03b8)
\n4. Sebasti\u00e1n Dur\u00f3n (1660-1716): Cantada a voz Sola al Sant\u00edsimo y de Pasi\u00f3n (clave: Yuli Ventura, voz: Irini Canelu, mezzo soprano\/ \u03c4\u03c3\u03ad\u03bc\u03c0\u03b1\u03bb\u03bf: \u0393\u03b9\u03bf\u03cd\u03bb\u03b7 \u0392\u03b5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b1, \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9: \u0395\u03b9\u03c1\u03ae\u03bd\u03b7 \u039a\u03b1\u03bd\u03ad\u03bb\u03bb\u03bf\u03c5, \u03bc\u03ad\u03c4\u03b6\u03bf \u03c3\u03bf\u03c0\u03c1\u03ac\u03bd\u03bf)
\n5. Miguel de Cervantes, El ingenioso hidalgo Don Quijote de la Mancha. Primera parte. Cap\u00edtulo I (lectura: Mar\u00eda Jos\u00e9 Mart\u00ednez) \/ \u039c\u03b9\u03b3\u03ba\u03ad\u03bb \u03bd\u03c4\u03b5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2, \u039f \u03b5\u03c5\u03c6\u03ac\u03bd\u03c4\u03b1\u03c3\u03c4\u03bf\u03c2 \u03b9\u03b4\u03b1\u03bb\u03b3\u03cc\u03c2 \u0394\u03bf\u03bd \u039a\u03b9\u03c7\u03cc\u03c4\u03b5 \u03bd\u03c4\u03b5 \u03bb\u03b1 \u039c\u03ac\u03bd\u03c4\u03c3\u03b1. \u039c\u03ad\u03c1\u03bf\u03c2 \u0391\u2019. \u039a\u03b5\u03c6\u03ac\u03bb\u03b1\u03b9\u03bf \u03a0\u03c1\u03ce\u03c4\u03bf (\u03b1\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7: \u039c\u03b1\u03c1\u03af\u03b1 \u03a7\u03bf\u03c3\u03ad \u039c\u03b1\u03c1\u03c4\u03af\u03bd\u03b5\u03b8)
\n6. Francisco Correa de Arauxo (1583-1654): Tiento de medio registro de tiple s\u00e9ptimo tono (clave: Yuli Ventura \/ \u03c4\u03c3\u03ad\u03bc\u03c0\u03b1\u03bb\u03bf: \u0393\u03b9\u03bf\u03cd\u03bb\u03b7 \u0392\u03b5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b1)
\n7. Miguel de Cervantes,El ingenioso hidalgo Don Quijote de la Mancha. Primera parte. Cap\u00edtulo XI (lectura: Mar\u00eda Jos\u00e9 Mart\u00ednez) \/ \u039c\u03b9\u03b3\u03ba\u03ad\u03bb \u03bd\u03c4\u03b5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2, \u039f \u03b5\u03c5\u03c6\u03ac\u03bd\u03c4\u03b1\u03c3\u03c4\u03bf\u03c2 \u03b9\u03b4\u03b1\u03bb\u03b3\u03cc\u03c2 \u0394\u03bf\u03bd \u039a\u03b9\u03c7\u03cc\u03c4\u03b5 \u03bd\u03c4\u03b5 \u03bb\u03b1 \u039c\u03ac\u03bd\u03c4\u03c3\u03b1. \u039c\u03ad\u03c1\u03bf\u03c2 \u0391\u2019. \u039a\u03b5\u03c6\u03ac\u03bb\u03b1\u03b9\u03bf \u0395\u03bd\u03b4\u03ad\u03ba\u03b1\u03c4\u03bf (\u03b1\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7: \u039c\u03b1\u03c1\u03af\u03b1 \u03a7\u03bf\u03c3\u03ad \u039c\u03b1\u03c1\u03c4\u03af\u03bd\u03b5\u03b8)
\n8. Carl Philipp Emanuel Bach (1714-1788) Folies d\u2019Espagne (clave: Yuli Ventura\/ \u03c4\u03c3\u03ad\u03bc\u03c0\u03b1\u03bb\u03bf: \u0393\u03b9\u03bf\u03cd\u03bb\u03b7 \u0392\u03b5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b1)
\n9. Miguel de Cervantes, El ingenioso hidalgo Don Quijote de la Mancha. Segunda parte. Pr\u00f3logo al lector (lectura: Mar\u00eda Jos\u00e9 Mart\u00ednez) \/ \u039c\u03b9\u03b3\u03ba\u03ad\u03bb \u03bd\u03c4\u03b5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2, \u039f \u03b5\u03c5\u03c6\u03ac\u03bd\u03c4\u03b1\u03c3\u03c4\u03bf\u03c2 \u03b9\u03b4\u03b1\u03bb\u03b3\u03cc\u03c2 \u0394\u03bf\u03bd \u039a\u03b9\u03c7\u03cc\u03c4\u03b5 \u03bd\u03c4\u03b5 \u03bb\u03b1 \u039c\u03ac\u03bd\u03c4\u03c3\u03b1. \u039c\u03ad\u03c1\u03bf\u03c2 \u0392\u2019. \u03a0\u03c1\u03cc\u03bb\u03bf\u03b3\u03bf\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u03b1\u03bd\u03b1\u03b3\u03bd\u03ce\u03c3\u03c4\u03b7 (\u03b1\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7: \u039c\u03b1\u03c1\u03af\u03b1 \u03a7\u03bf\u03c3\u03ad \u039c\u03b1\u03c1\u03c4\u03af\u03bd\u03b5\u03b8)
\n10. Juan Serqueira de Lima (1655-1726): Tono humano solo (clave: Yuli Ventura, voz: Marialena Tricoglu, soprano \/ \u03c4\u03c3\u03ad\u03bc\u03c0\u03b1\u03bb\u03bf: \u0393\u03b9\u03bf\u03cd\u03bb\u03b7 \u0392\u03b5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b1, \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9: \u039c\u03b1\u03c1\u03b9\u03b1\u03bb\u03ad\u03bd\u03b1 \u03a4\u03c1\u03b9\u03ba\u03cc\u03b3\u03bb\u03bf\u03c5, \u03c3\u03bf\u03c0\u03c1\u03ac\u03bd\u03bf)
\n11. Miguel de Cervantes, Viaje del Parnaso. Cap\u00edtulo I, versos: 199-225 (lectura: Mar\u00eda Jos\u00e9 Mart\u00ednez)\/ \u039c\u03b9\u03b3\u03ba\u03ad\u03bb \u03bd\u03c4\u03b5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2, \u03a4\u03b1\u03be\u03af\u03b4\u03b9 \u03c3\u03c4\u03bf\u03bd \u03a0\u03b1\u03c1\u03bd\u03b1\u03c3\u03c3\u03cc, \u039a\u03b5\u03c6\u03ac\u03bb\u03b1\u03b9\u03bf \u0391\u2019, \u03c3\u03c4\u03af\u03c7\u03bf\u03b9: 199-225 (\u03b1\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7: \u039c\u03b1\u03c1\u03af\u03b1 \u03a7\u03bf\u03c3\u03ad \u039c\u03b1\u03c1\u03c4\u03af\u03bd\u03b5\u03b8)
\n12. Mimis Plesas (1924-) Romancero (clave: Yuli Ventura \/ \u03c4\u03c3\u03ad\u03bc\u03c0\u03b1\u03bb\u03bf: \u0393\u03b9\u03bf\u03cd\u03bb\u03b7 \u0392\u03b5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b1)
\n13. Miguel de Cervantes, La Galatea. Libro I (lectura: Mar\u00eda Jos\u00e9 Mart\u00ednez) \/ \u039c\u03b9\u03b3\u03ba\u03ad\u03bb \u03bd\u03c4\u03b5 \u0398\u03b5\u03c1\u03b2\u03ac\u03bd\u03c4\u03b5\u03c2, \u0393\u03b1\u03bb\u03ac\u03c4\u03b5\u03b9\u03b1, \u0392\u03b9\u03b2\u03bb\u03af\u03bf \u0391\u2019 (\u03b1\u03bd\u03ac\u03b3\u03bd\u03c9\u03c3\u03b7: \u039c\u03b1\u03c1\u03af\u03b1 \u03a7\u03bf\u03c3\u03ad \u039c\u03b1\u03c1\u03c4\u03af\u03bd\u03b5\u03b8)
\n14. Antonio Soler (1729-1783) Fandango (clave: Yuli Ventura \/ \u03c4\u03c3\u03ad\u03bc\u03c0\u03b1\u03bb\u03bf: \u0393\u03b9\u03bf\u03cd\u03bb\u03b7 \u0392\u03b5\u03bd\u03c4\u03bf\u03cd\u03c1\u03b1)<\/p>\n

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<\/p>\n

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